Hola Mahalla or simply Hola is a Sikh festival, which takes place on the first of the lunar month of Chet, which usually falls in March. This follows the Hindu festival of Holi; Hola is the masculine form of the feminine sounding Holi. Mahalia, derived from the Arabic root hal (alighting, descending), is a Punjabi word that implies an organized procession in the form of an army column accompanied by war drums and standard-bearers, and proceeding to a given location or moving in state from one Gurdwara to another.
This custom originated in the time of Guru Gobind Singh (1666-1708) who held the first march at Anandpur on Chet vadi 1, 1757 Bk (22nd February, 1701). Unlike Holi, when people playfully sprinkle color, dry or mixed in water, on each other the Guru made Hola Mahalla an occasion for the Sikhs to demonstrate their martial skills in simulated battles. This was probably done forestalling a grimmer struggle against the imperial power following the battle of Ninnohgarh in 1700. Holla Mahalla became an annual event held in an open ground near Holgarh Fort across the rivulet Charan Ganga, northwest to the town of Anandpur sahib.
The popularity of this festival may be judged from the fact that out of five Sikh public holidays requested by the Khalsa Diwan, Lahore in 1889, the Government approved only two - Holla Mahalla and the birth anniversary of Guru Nanak. Hola Mahalla is presently the biggest festival at Anandpur. It will be appropriate here to discuss briefly the town and the participants of this festival.
Literally the City of Bliss, Anandpur is situated on one of the lower spurs of the Shiwalik Hills in Ropar District of Punjab and is well connected with the rest of the country both by road and rail. It lies 31 Kms north of Rupnagar (Ropar) and 29 Kms south of Nangal Township. Being one of the supremely important pilgrimage centers of the Sikhs it has been reverently called Anandpur Sahib. It will not be out of place here to mention that it was at Anandpur that on Baisakhi of 1699, Guru Gobind Singh carried out the supreme task of creating the Khalsa. It was here that the Guru announced the baptism of the Panj Piare and inaugurated the Khalsa, or the brotherhood of the holy soldiers who would henceforth be distinguished by five symbols all beginning with the letter "K" viz. kes (uncut hair), kangha (comb), kachcha (pair of shorts), kara (steel bracelet) and kirpan (sword). Sikhs were further instructed to live to the highest ethical standards, and to be always ready to fight tyranny and injustice.
Having been the abode of the last two Sikh Gurus for two score years, the town was witness to many momentous events of Sikh history, including the Hola Mahalla festival, which is an annual feature. The festival has now lost much of its original military significance, but Sikhs in large numbers still assemble at Anandpur Sahib on this day and an impressive and colorful procession is taken out in which the Nihangs, in their traditional panoply, form the vanguard while parading their skill in the use of arms, horsemanship, tent-pegging, and other war-like sports.
The festival has now lost much of its original military significance, but Sikhs in large numbers still assemble at Anandpur Sahib on this day and an impressive and colourful procession is taken out in which the Nihangs, in their traditional panoply form the vanguard while parading their skill in the use of arms, horsemanship, tent-pegging, and other war-like sports.
Warlike sports of the Nihangs
Originally known as Akalis, the Nihngas or Nihang Singhs are endearingly designated as Guru's Knights or the Guru's beloved. They still carry the military ambience and heroic style that was cultivated during the lifetime of Guru Gobind Singh. Nihangs constitute a distinctive order among the Sikhs and are readily recognized by their dark blue loose apparel and their ample, peaked turbans festooned with quoits, insignia of the Khalsa and rosaries, all made of steel. They are always armed, and are usually seen mounted heavily laden with weapons such as swords, daggers, spears, rifles, shotguns, and pistols.
The word Nihang can be traced back to Persian nihang (alligator, sword) or to Sanskrit nishanka (fearless, carefree). In the former sense, it seems to refer to the reckless courage members of this order displayed in battle. In Guru Gobind Singh's writing, Var Sri Bhagauti Ji 47, it is used for swordsmen warriors of the vanguard. Whatever may be the origin the word Nihang, it signifies the characteristic qualities of the clan- their freedom from fear of danger or death, readiness for action and non-attachment to worldly possessions. During the eighteenth century, one of the confederate armies of the Dal Khalsa, constituted of the Nishanvalia misl chief, Naina Singh, whose style of tightly tied tall turban with a dumala gained currency and those who adopted were called Akali Nihangs.
The self-discipline and privilege they gained of convening at Akal Takht general assemblies of the Khalsa, brought the Nihangs into importance far out of proportion to their numbers or political authority. In the time of Maharaja Ranjit Singh (1780-1839), the Akali Nihangs maintained their independent existence. Their leader Phoola Singh Nihang, then custodian of the Akal Takht, was the voice of the religious and the moral conscience of the State, and at times he even censured and chastised the sovereign himself.
The Nihangs are today divided into several groups, each with its own Chaoni (cantonment), but they are loosely organized into two Dals (forces) - Buddha Dal and the Taruna Dal. These names were initially given to the two sections into which the Khalsa army was divided in 1733. Buddha Dal has its Chaoni at Talvandi Sabo in Bhatinda District, while the main Chaoni of the Taruna Dal Nihangs is at Baba Bakala. in Amritsar District.
Nihang Singhs in their traditional martial costumes, demonstrate their skills in fencing, horse riding and shooting.
The Nihangs assemble in thousands at Anandpur Sahib in March every year to celebrate Hola Mahalla. On this occasion they hold tournaments of military skills, including mock battles. The most spectacular event at the Hola Mahalla is the magnificent procession of Nihangs on horses and elephants and on foot carrying a variety of traditional and modern weapons and demonstrating their skill in using them. The Hola Mahalla festival is unique and distinguishable from other festivals in that the Nihang have tried to preserve the traditional form and content as established during its inception, and strictly observed by the Akalis for more than three centuries.
The martial arts exhibited by the Nihangs provide a picture of their skills and traditions to the visitors as well as the tourist. Because of its great historical, socio-religious and military significance, the Hola Mahalla festival can impressively contribute to a greater awareness of the Sikh heritage as well as foster sustainable development of community tourism.
Anandpur Sahib can be developed as a tourist destination not to please a particular community but to develop it as a center of India's rich socio-cultural heritage devoted exclusively to the appreciation of physical abilities of a martial people. It will naturally sustain national and international tourism.
A culturally conscious policy to develop Hola Mahalla as a tourist event should be formed by the State to focus on promoting cultural heritage while providing greater economic benefits to a larger section of the local population. The policy suggested can bring equitable economic benefits, increased community participation, all round development of the area and above all, the preservation of India's cultural heritage.